Welcome to the DesignLAB

A Market Full of Magic and Mystery

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Taking students to the High Point Furniture Market (HPMKT, aka Market) has always been one of my favorite parts of being an interior design educator. In the past, I’ve often compared the experience to a trip to Disney World, a place filled with wonder, excitement, and a touch of magic. The expressions on my students’ faces the first time they attend Market are unforgettable: wide-eyed, smiling, utterly captivated. It’s pure joy, the kind that reminds you why teaching can be so rewarding.

DeBI TeNER MaS SILLaS: A Reflection on Bad Bunny’s “Bad” Chair

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Recently, people have been asking which chair to add to the Chair Library. I hadn’t given it much thought until I saw Bad Bunny's cover of DeBI TiRAR MaS FOTos (DtMF), and suddenly, the answer was clear: the monobloc. Witold Rybczynski was one of the first to formally introduce this “white plastic chair” into the history of design books in Now I Sit Me Down: From Klismos to Plastic Chair, but its global cultural influence today makes it my choice.

Spotlight: “Making Design” at The New Cooper Hewitt

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To celebrate its renovation and reopening in the incredible Andrew Carnegie Mansion, New York’s Cooper Hewitt—Smithsonian Design Museum is showcasing a selection of its collection of 210,000 furniture and decorative objects from all over the world and spanning 30 centuries—with a new exhibit, “Making Design”, on exhibit now and, according to the Cooper Hewitt, “until it’s not.”

The History of Mirror: Through A Glass, Darkly

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The mirror has been in existence almost as long as humankind. By legend, the first mirror was formed in the ancient Himalayas when a little brook tarried to rest itself, as if to ponder and reflect upon its course. Thereby, in time, the first woman walked and looking down into the pool was surprised by­—another girl!—which she slowly came to understand as a reflection of herself.

Eileen Gray’s Bibendum: A Modern but Feminine Chair

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Eileen Gray is a name closely tied to women’s dignified entrance into the male-dominated design world. Born in 1878, Eileen Gray was the youngest of five children of a wealthy Scots–Irish family. This privileged background allowed her to travel frequently and to attend prestigious private art schools in London and Paris. Nevertheless, because she was a woman, not even her advantageous upbringing and notable life experiences granted her access to important professional networks.

Duncan Phyfe and Fine Furniture

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Duncan Phyfe, cabinetmaker, designed furniture just about 200 years ago. Yet his name, more than that of any other furniture maker in our history, embodies fine craftsmanship—fine American craftsmanship. His name has been whispered reverentially in art museums for decades, alongside the creators of the finest oil paintings and best porcelains. His is a legacy and a “brand” that tastemakers today would die for.

The Dichotomies of Saarinen’s Tulip Chair

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Are futuristic and classic and mass-produced and organic all terms that can be used to describe just one chair? Let me introduce the Tulip Chair. Mostly defined by its formal unity and unique organic shape, this chair has been a symbol of futuristic thinking in furniture design since it was first introduced and mass-produced by Knoll as part of Eero Saarinen’s pedestal series in the 1950s.

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