Bienenstock Furniture and Interior Design Competition Winners

Since 1984, the library has awarded more than $400,000 in scholarships. It was the Bienenstock’s desire to invest in the education and future of the furniture industry.

The Bienenstock Furniture and Interior Design Competition is open to any junior, senior, or graduate student enrolled in an accredited college design program in the United States. This design competition will have two (2) categories: Interior Design and Furniture Design. A $5,000 scholarship will be awarded to the first place winner of each category. In addition to the $5,000 awards, each has been given memberships in the ASFD and ASID professional associations and their respective schools will receive $1,000 to use in their academic programs. A $1,500.00 scholarship will be awarded to the second place winner in each category. The Bienenstock scholarships are open to any junior, senior or graduate student enrolled in an accredited college design program in the United States.

Submission Support

The Bernice Bienenstock Furniture Library is committed to helping students bring their best designs to the 2018-2019 Competition. Professional members of the furniture design and interior design industries stand ready to ‘mentor’ and answer any Bienenstock Furniture and Interior Design Competition questions.

Competition Contact

Library Director, Karla Webb
p: 336.883.4011
e: info@furniturelibrary.com

2018 Competition Winners

Michael L. Dillon

$5,000 First place winner from the University of Houston

Entrants were asked to design an aesthetically pleasing chair of original design from any material. Instructions were “to create an offering that could be marketed to the residential and/or contract trade. Any material or combination of materials was accepted. The chair is to be visually stunning, appropriate for manufacturing, fiscally feasible, and suitable within the constraints of mass production” There were 55 entries from 10 different colleges, compared to 21 entries a year ago. Colleges represented included: University of Houston, SCAD, Kendall College of Art & Design, Appalachian State University, Indiana University-Purdue, Forsyth Tech, Cornell University, Syracuse University, Weber State and San Diego Mesa.

Judge for Furniture Design: Dudley Moore, Jr., Otto & Moore; Scott Coley, Scott Coley Designs; Royale Wiggin, Thayer Coggin; Danny Davis, Davis Furniture; Richard Frinier, Richard Frinier Designs; Charles Sutton, Charles Sutton Design.

Dudley Moore, President of the ASFD and Chairman of the Furniture Design Committee noted, “This is a fully realized design as opposed to just a concept” Judge Danny Davis remarked it was “functional and an excellent authentic color combination idea.” Judge Charles Sutton added this is “A stand-out design that had thought for the marketing approach”

Dillon is an academic Junior at The University of Houston. When asked about his inspiration, he commented: “Ergo exists as a statement that good design comes from empathy for the human condition. If a designer is truly attentive to the requirements of their context, the end product will have true and lasting meaning. It is only at this starting point that products with meaning can be born.”

Dillon continued, “Work has become more collaborative. Space has become more limited, and as a consequence, the spaces we live, work, and play in are becoming smaller. The legs of Ergo flip the traditional relationship of “wider at the front, skinnier at the back” to enable more chairs to fit around a table. Whether it’s in the common space of an office, around a table at your local Cafe, or around your own kitchen table- Ergo does more with the space it is given. When the chair has no seatback, it can disappear fully underneath a table, tucking away neatly and keeping routes of egress clear in tight commercial spaces.” He added, “My studies in Architecture at San Antonio College taught me empathy for the human condition and the importance of the human scale. Intensive practice with the team at the design-build firm TADA imparted to me that joyful design exists in the details. In my studies at the University of Houston I am learning the process, skills, and language of the craft, making me ever more fluent in the communication of design ideas. Ergo communicates these values and concepts I have learned to date.”

Jeff Feng, Assistant Professor of Industrial Design at the University of Houston, who is Dillon’s teacher and mentor commented, “Michael is a highly self-motivated individual who seeks to step out of his comfort zone to experience new ideas. It is reflected in the countless iterations of the ‘ERGO’ chair design from the overall structure to details as elastic joineries. He also equipped himself with a strong set of skills, mastering sketching to prototyping in most materials and processes. His ‘ERGO’ chair is not just a highly developed CAD model, it is fully tested in multiple full-scale prototypes. Aesthetically, he is striving for a high level of purity and simplicity which is exemplified in this chair design.”

When asked what he might tell his younger self, Dillon replied, “Don’t expect everything to be perfect the first time you conceive it. Allow yourself the license to make garbage and keep improving upon it. No matter how hard you think you are capable of working, you need to work harder and longer.” When asked about his short and long-term goals, he said,” I am passionate about design in a broader sense. “A good designer works with such intangible things as space, and context. What is interesting about furniture is its tangibility. You can see it, feel it, and sit in it, but in another sense, furniture is about the intangible space it marks – both as a physical form and as an expression of culture.” He continued, “like many of my peers, I’m uncertain about what future holds, but I know that I want to design and create. My immediate goal is to find an internship in a design consultancy that exposes me to projects and people that share my passion.”

The second place winner was Walter Mingledorff, from Appalachian State University, for the Polly Chair. He receives a $1,500 scholarship to be applied to continuing education. Mingledorff commented, “The Polly chair was a result of an idea of not merely designing a chair, but a space. The design references a sculptural quality of fluidity and form, drawing inspiration from greats like Brancusi, while also keeping efforts to cater to the potential marketability of contract furniture.” Judge Scott Coley commented that it had a “fun, edgy retro look.” Judge Royale Wiggin commented that the design “harkens back to the space age 60’s.” Judge Danny Davis opined, that it was a “marketable design for the collaboration environment of today.”

Victoria Smith

$5,000 First place winner from Virginia Tech

Entrants were given the following real world assignment: a client had just purchased two adjoining, three-story brick row houses dating to the turn of the century. The students were asked to combine the two units into a single art gallery that will display the work of cutting-edge artists. The first and second floors are used for exhibiting art, hosting special events and serving as a community meeting space and will contain an office and catering kitchen. The third floor is reserved for the couple’s private residence. They must also brand the edifice with a logo consistent with the purpose of the building.

The competition received 39 entries from 10 colleges including Virginia Tech, SCAD, Forsyth Tech, San Diego Mesa College, Randolph Community College, Appalachian State University, George Washington University, High Point University, University of Southern Mississippi and the University of Central Oklahoma.

The winning entry was submitted by Victoria Smith an academic Senior studying Interior Design at Virginia Tech. She said, “This project has truly sparked my creativity and encouraged me to understand the balance between designing an inspiring space while maintaining the focus on the beauty of the art itself. I enjoyed the challenge of integrating a subtractive approach rather than an additive one.” She branded her project “MIN” using interlocking parallelograms of various widths in black and white. Although it needs little explanation, she expanded on a deeper meaning, “Just as this rust belt city has transformed back to its original state, minimalist art is reduced to a minimum number of lines, textures, and colors. Inspired by the works of Donald Judd and Sol LeWitt, the repetition, reduction, and elimination of geometric forms adjust the user’s perception to create an exploratory experience. The underlying geometry of the existing building, created by the structural columns and walls, implies a series of cubes. Studying these cubes provided a sense of scale, proportion, and hierarchy that determined the design of the gallery and the apartment.”

She added, “Materiality is central to the work of minimalist artists. These artists focus on exposing the essence of their pieces through the elimination of non-essential forms and materials. Raw materials such as brick, wood, leather, quartz, and aluminum are utilized to emphasize the concept and reference the pieces found in the gallery. The custom reception desk, made of recycled aluminum, is a nod to the works by Donald Judd and Sol LeWitt, who use steel or aluminum in their sculptures. While most of the space remains black and white, an accent of red enhances the space and stimulates the viewers. Red is symbolic of Donald Judd’s paintings highlighted in the project. The use of recessed linear lighting throughout the gallery and the apartment enhances the geometry of each space and serves as a wayfinding element.

Judges in the interior design category included: Christi Spangle, Barbour Spangle Designs; Bri Verstat, Barbour Spangle Designs; June Anderson, ASID; Kara Cox, Kara Cox Interiors, Marilyn Russell, Marilyn Ashley Design Associates, Rose Dostal, RMD Designs, Gwen Emery, NCSU; Jessica Alpert, Gensler.

Christi Spangle one of the judges commented: “I liked the play on a minimalist movement and excellent use of space” Judge June Anderson commented “great logo and incorporation of original architectural details”, Judge Bri Verstat said the “Background colors were clear and crisp and perfect for art display”

Lisa M. Tucker, Professor, and Chair of Interior Design at the Virginia Tech School of Architecture commented, “I am so pleased and excited for Tori for winning this competition! She is such a hard worker and takes her design process very seriously. She keeps trying to make her projects better and clearly that paid off.

Tori grew up with a first-hand view of the design business. “my mom is an interior designer, and as a child, I would find myself annotating her sketches, which I’m sure probably annoyed her.”

Tori will graduate in May and has accepted a position at the Huntsman Architectural Group on Wall Street in New York City. Her short-term goals are to pass the NCIDQ and obtain a Sustainability Certification. When asked what she might tell her younger self she replied, “trust yourself and the process. Stick to what’s in your heart and everything will work out.” Currently, she is more interested in workplace design then residential design. She opined, “we spend a lot more time at work than we do it home. Design is about enhancing the quality of life no matter where you are, and I want to focus my energies on making workplaces more satisfying.”

The second place winner was Meredith Fraga, from Virginia Tech. She receives a $1,500 scholarship to be applied to continuing education. The judges loved the thought out use of space planning and excellent lighting; enjoyed the color on the ceiling with the neutral walls. Her professor , Lisa Tucker, who was also the professor for the first place winner said, “Meredith is so deserving of this honor. She was surprised when her project was picked to be submitted for the competition and I suspect she was shocked to hear she had won second place. I am thrilled for her.

Previous Design Competition Winners

Ben Bridges

Ben Bridges – Furniture Design

$5,000 First place winner from Appalachian State University

Entrants were asked to design an aesthetically pleasing chair of original design from any material. Instructions were “The chair should be visually stunning, appropriate for manufacturing, fiscally feasible and suitable within the constraints of mass production.” There were 50 entries from 15 different colleges, more than twice the number of schools and entries from the prior year.

Judge for Furniture Design: Dudley Moore, Jr., Otto & Moore; Rick Schroeder, Stanley Furniture; Scott Coley, Scott Coley Designs; Royale Wiggin, Thayer Coggin; Danny Davis, Davis Furniture; Richard, Frinier, Richard Frinier Designs; and Paul Brayton, Paul Brayton Designs.

Judge Danny Davis,” liked the combination of solid wood, metal and plastic. Overall great presentation.” Judge Royale Wiggin “loved the light scale, which is very important today.”

Bridges, is an academic Junior at Appalachian State University. He is inspired by art, architecture and nature. Although highly competent in creating with software rendering, he also loves to sketch, draw, and create with his favorite tool, a #2 pencil. When asked to explain his inspiration for this project, he commented: “I have been deeply captivated by erosion and its many recurrent forms. Initially, I was drawn to the immeasurable beauty within the fluid surfaces which, by patterning themselves in a wave of seamless prose, ripple across their ancient bodies, from fissure to face, in one harmonious and continuous rhythm. What further captivated me was a new sense of realization that these surfaces were created as a harmonic yet static response to movement. They are the rigid footprints of a very fluid force. It was within this dynamic interchange between force and form that I found my point of inspiration for the Solum lounge. I began ideation by exploring how we as humans may impress force or gesture into the static forms of chairs.” Bridges attributes his maturity and clear sense of direction to a Gap in his education. He took a 3 year sabbatical from his studies to earn money to support himself and to study art and architecture independently. “It wasn’t glamorous, I poured concrete foundations for chicken houses during the week and did groundskeeping on the weekends. But there is something enormously satisfying about physical labor, and it gives you time to think about who you are and what is important to you. Mother nature may be the best artist of us all and we need to make time to observe what the natural world can teach us,” he said.

Bridges designed his chair with three unique bases, each providing a unique look. The version on the left is a formed steel wire frame. The center version features bent laminate, and the base on the right is die cast aluminum. The seat shell will be made from molded polyurethane. He created these images using Solidworks CAD software.

His short-term goals are to finish his academic work and to graduate. He hopes to find a position add a contract manufacturing company with the resources and manufacturing capabilities to bring his designs to life.

The second-place winner for Furniture Design was Chris Webster, California State University at Long Beach.

Finalists in the furniture category included: India Hillis, Art Center College of Design, Hong Hu, Kendall College of Art & Design, Refaeli Ma, Art Center College of Design, Matthew Johnson, Kendall College of Art & Design, Frederick John Barton, Appalachian State University and Eric Schroeder, Kendall College of Art & Design

Liliana Hasbun

Liliana Hasbun – Interior Design

$5,000 First place winner from the Savannah College of Art & Design

This year’s project had a fictitious client that was the CEO of a major music recording company. The imaginary client has purchased a luxury skybox for use by the company’s recording artists when in the area. Entrants were asked to design the skybox and to incorporate the music company’s logo and brand, the company’s musical style and use sustainable furnishings. The quality of the entries was so profound that 16 entries were worthy of being finalists and the ultimate decision was extremely difficult. There were 47 entries from 13 different colleges.

Judges for Interior Design: Christi Spangle, Barbour Spangle Designs; Bri Verstat, Barbour Spangle Designs; June Anderson, ASID; Kara Cox, Kara Cox Interiors, Marilyn Russell, Marilyn Ashley Design Associates, Rose Dostal, RMD Designs, Gwen Emery, NCSU; and Jessica Alpert, Gensler. Head Judge Christi Spangle, “thrilled with the participation from different colleges this year and were impressed with the nice variety of genres used in this project. It gave a great opportunity to the students to show their personal aesthetic.”

First Place was awarded to Liliana Hasbun, a senior international student at The Savannah College of Art & Design, who wins a $5,000 scholarship to be applied to academic pursuits. The Savannah College of Art & Design’s Interior Design Program will receive an additional $1,000.00 scholarship. Judge Christi Spangle and Judge June Anderson “liked her attention to detail.” Judge Kara Cox “loved that she did extensive research of the music genre”, Judge Bri Verstat “very colorful and had bold consideration to architectural detail.”

When asked to explain her approach to the project, Liliana said she was inspired by her passion for singing and the meter of soul music. “The skybox liberates emotions and cultivates creativity. As one enters the skybox, a profound spiritual transformation takes place by subtlety wrapping the user with warm contrasting finishes, pure fluttering volumes, honest materials and an inviting furniture selection. The atmosphere of liberation and relaxation revivers decompression. Zones promote bonding and self-reflection without overwhelming human creativity. In the lounge, guests can mingle, collaborate with musicians, or remain in awe of musical expression while the space quietly complements the developing energy. a brand a specific “jamming” zone is provided to promote creative expression.”

On the second level, a conference room invites the opportunity for collaboration yet remains flexible by providing the option for seclusion with a sliding wall panel. “Once inside the bedroom, a full hospitality suite wraps the user with intimate client specific tones and selections, never forgetting the purpose of the entire skybox experience: unwind and create.” Detailed floor plans and mood boards can be found on the library’s website.

When asked why she chose to pursue interior design, Liliana responded “I believe interior spaces directly affect a person’s behavior and quality-of-life. This career allows me to channel my creative talents in ways that upgrade mental well-being.” She has studied other creative areas including fashion, jewelry, photography and graphic design.

She added “interior designer suited me the best because of the human factor. I chose SCAD to specialize in interiors because of the vast curriculum and the professional opportunities it offered. For this project, I my inspiration was Soul music because it resonates with my personality and incorporates values that are tuned to my purpose in life: To live in an inclusive, integrative society, to uplift others, and to be honest, real and pure.”

According to Monica Letourneau, Professor, Interior Design at The Savannah College of Art and Design the Bienenstock Competition was her first interior design studio project at (SCAD). “Early on her creative thinking and enthusiasm for all facets the design process was evident. Throughout the process, she often stated that she wanted the final design to offer users a strong emotional connection that comes from soul music. She captured the soulful concept through the intense layering of wall and ceiling movements that engage with multiple patterns and textures of finishes. These combine to create dynamic moments for personal interactions throughout the skybox. The project’s focus on soulfulness relates to the combining of music styles to form a new. It is about music for everyone, and a statement about cultural inclusiveness for our own time. Liliana is passionate about producing design that aims to surprise and engage people with an interior environment. While bringing this spirit into her work, she also wholeheartedly embraces lively discussions that come with being in our SCAD studio culture. We are proud of Liliana’s achievement, and thankful for the support that this competition award offers.”

Second Place $1,500.00 winner for Interior Design was Britnie Cowling, San Diego Mesa College.

Finalists in the Interior Design competition included: Valerie O’Bryan Wilson, Saddleback College, Gabriella Fiallos, SCAD, Hannah Viparina, SCAD, Andrea Paton-Ash, George Washington University, Brianne Beal, George Washington University, Laura Henderschott, San Diego Mesa College, Kristin Till, Saddleback College, Yument Lou, SCAD, Jingxian Xu, SCAD, Heath Smith, Randolph Community College, Joevannah Harris, Virginia Tech, Elaine DaSilva, Virginia Tech, Sarah Troegner, Virginia Tech, and Nicole Long, Appalachian State University

Heather Soto

Heather Soto – Furniture Design

$5,000 First place winner with the ‘Nocturne Lounge Chair’ from Kendall College of Art & Design

Entrants were asked to design an aesthetically pleasing chair of original design from any material and be visually stunning, appropriate for manufacturing, fiscally feasible and suitable within the constraints of mass production. There were 21 entries from 8 different colleges.

Judges in the furniture design category included Dudley Moore, Jr., Otto & Moore, Inc,; Rick Schroeder, Stanley Furniture; Danny Davis, Davis Furniture; Royale Wiggin, Thayer Coggin; Richard Frinier, Richard Frinier Design Studio; Scott Coley, Scott Coley Designs.

Dudley Moore, Chairman of the Furniture Design Committee noted, “This chair makes unique use of innovative materials that are marketable and saleable.” Danny Davis added “this designer showed a compelling progression of design to achieve the final form.” Judge Scott Coley called it, “very stylish and sporty.”
Seto, is an academic senior at Kendall College of Art & Design. When asked about her inspiration, she commented: “Refinement, tonal differences, and delicate beauty –these are a few attributes from the night’s sky that I chose to implement within the context of Nocturne. The intention of this piece is to create an invitation to the user. I want there to be a unity between the user and the form. Nocturne is a free flowing spirit that is sophisticated, boundless, and bold.”

Monty Simpson, Assistant Professor of Furniture Design at the Kendall College of Art and Design commented, “Heather is an amazing young lady. All of us at Kendall College of Art and Design are extremely proud of her first place finish in the Bienenstock Library Chair Competition. Heather takes a holistic approach to the design process. She studies the interconnections between the user, task, and environment then uses this information to create a sense of unity between the user and form as is evident in the design of her Nocturne Lounge Chair.”

Adismara Kirana Prasetya, Savannah College of Art & Design was the 2nd place $1,500.00 winner for the Furniture Design category. Kendall College of Art & Design’s Furniture Design program received a $1,000.00 award for having the 1st place $5,000.00 winner.

Other finalists included: Kyung Min Lee, Kendall College of Art & Design; Bo Zhang, Savannah College of Art & Design; Nathan Sturgeon, Kendall College of Art & Design

Kim Wypasek Young

Kim Wypasek Young – Interior Design

$5,000 First place winner with the ‘Prana Spa’ from the University of North Carolina – Greensboro

Entrants were asked to design a holistic day spa specializing in therapeutic treatment for multiple sclerosis patients. The hypothetical spa is owned and managed by the doctor and physical therapist on staff, which requires living quarters for these staff members. The students were required to design the facility that is sustainable, environmentally friendly and has a healing environment. A logo and name for the spa was also part of the project. There were 40 entries from 14 different colleges.

Judges in the Interior Design category included: Christi Spangle, ASID, Barbour Spangle Design; June Anderson, ASID; Kara Cox, Kara Cox Interiors; Bri Verstat, ASID, Barbour Spangle Design; Marilyn Russell, Marilyn Ashley Interiors; Gwen Emery, Director of Library Environment NCSU; Rose Dostal, ASID, RMD Designs; Jessica Alpert, Gensler.

Christi Spangle commented: “This is a very creative floor plan. The atmosphere felt very therapeutic.” Judge Kara Cox commented: “Great use of organic elements in the space. Best combination of technical and artistic comprehension.”

Kim Wypasek Young, an academic junior studying Interior Design at UNC-Greensboro, submitted the winning entry. She named her project Prana Spa explaining, “Prana is a Hindu word that means life giving force or healing wind, reinforcing the objective of the day spa: enveloping the patient in a healing force.”

Her design strategies for Prana take advantage of two distinct natural elements: the strata and variable striations of rock formations, and the flowing and forming qualities of wind. The influence of wind in the design of the interior spaces can be seen in the circulation and easing of harsh vertical edges. Upon entry, one is greeted by a sense of prospect and refuge created by the variations of ceiling heights and the use of compression and release, giving private areas a safe comforting feeling and larger areas, for healing exercise, an energizing presence.

Corinne Vassallo, of Virginia Tech University was the 2nd place $1,500.00 Interior Design winner. The UNC-Greensboro’s Interior Architecture program received a $1,000.00 award for having the 1st place $5,000.00 winner for the Interior Design category.

Other finalists included: Hunter Van Bramer, University of Idaho; Laura Gwyn Clapp, Randolph Community College; Gabrielle Mariotti, Marymount University; Eric Harris, George Washington University; Abbi Johnson, University of Idaho.

Eny-Lee-Parker_web

Eny Lee Parker

$5,000 First place winner with the ‘Honest Chair’ from SCAD

Entrants were asked to design an aesthetically pleasing chair of original design from any material and be visually stunning, appropriate for manufacturing, fiscally feasible and suitable within the constraints of mass production. There were 42 entries from 13 different colleges.

Dudley Moore, Chairman of the Furniture Design Committee noted, “This chair has a beautiful, sculptural quality.” Furniture Design judge, Danny Davis added, “This designer showed understanding of manufacturing processes by being able to prototype the process of bending the wood.”

Parker, a student at Savannah College of Art & Design commented, “The Honest Chair originated from an exploration into the fundamentals of bending wood. Though the design development was inspired on Frank Ghery’s curvaceous architecture, the outcome resembles more Sori Yanagi’s work.” She added, “The chair’s intention is to communicate how unlimited we are, through process and form. As designers, we should not only appreciate materials, but push their natural characteristics to become something unimaginable.”

Catherine Cheek, Virginia Tech was the 2nd place $1,500.00 Furniture Design winner. Judges for the Furniture Design category included Dudley Moore, Jr., Otto & Moore; Rich Schroeder, Stanley Furniture; Danny Davis, Davis Furniture Industries; Royale Wiggin, Thayer Coggin, Inc.; Richard Frinier, Frinier Design Studio.

Other finalists included Deanna Smith, High Point University; Rebecca Goddard, Appalachian State University; Christian Dunbar, Savannah College of Art & Design; and Heather Seto, Kendall College of Art & Design.

Erica-Brooks_web

Erica Brooks

$5,000 First place winner with the project ‘LineUp’ from Virginia Tech

Entrants were asked to design a project to create an art gallery that encompassed two floors with a third floor being a residential space. Students were asked to create a design plan for the entire complex. There were 23 entries from 10 different colleges.

Judge June Anderson commented, “It is very imaginative and smart to use a live existing artist in the presentation. This design produced a sales & marketing environment for the art.” Brianne Verstat commented, “This plan is technically and aesthetically pleasing. It has a great mix of materials, while allowing the art work to be the main focus. The design is open, airy and modern.”

Erica Brooks, a senior interior design student at Virginia Tech says, “LineUp is a play on words that references the linear movement, both through and up the space. The fictional couple who lives here wants a cutting-edge, connected space that reflects both the inspiration of the artists and comfort of a home. The gallery displays modern artwork, including the work of Julien Bouillon.” Brooks explained “Bouillon uses a large variety of media to include 2D drawings, 3D sculpture, and electronic videos making him a good candidate for this versatile gallery.”

Tung Nguyen from Winthrop University was the 2nd place $1,500.00 Interior Design winner. Judges for the Interior Design category included Christi Spangle, Barbour Spangle Design; June Anderson, ASID; Marilyn Russell, Design Magnifique; and Brianne Verstat, Barbour Spangle Design.

Other finalists included Angela Tournay, Forsyth Technical Community College; Hazel Change, Appalachian State University; Luke Marot, Forsyth Technical Community College; Adrienne Rogers, Brenau University; and Abigail Uhrich, The Art Institute of Raleigh-Durham.

Christopher Eitel

Christopher Eitel – Furniture Design

Kendall College of Art & Design

Dudley Moore, Chairman of the Furniture Design Judging Committee noted, “I am very pleased with the selection of Chris Eitel’s Lucite and burl walnut cocktail table as the winner of the 2013 Bienenstock Furniture Design Competition. The judges were impressed with Chris’s clever interlocking Lucite panel construction, which houses a gorgeous and useful burl walnut storage box. He added, “The use of the Lucite allows the box to appear to float, making the table both beautiful and functional. Chris’s table exemplifies the magic that can occur when form and function marry seamlessly in an innovative design.

Eitel, a student at Kendall College of Art and Design said he was ‘infatuated by the cantilevers and the structural aesthetics of Frank Lloyd Wright architecture, I began with a design inspired by the mid-century modern architect. As I explored my design through ideation, I became more interested in the idea of a cantilever suspending itself in space. This idea os suspension became the focal point of further ideations and ultimately my final design.”

Adriann Welch

Adriann Welch – Interior Design

Randolph Community College

The winning project for the Interior Design category was named “The Dew Drop”. According to Welch, “The concept of “The Dew Drop” symbolizes refreshment, simplicity, and renewal. This concept creates a space that provides a calming and reviving atmosphere, one that is not only comforting, but also simplifies the fast pace life of today’s society. Morning dew opens the door for a unique color scheme. The color scheme will not only bring in the soft blues and yellows commonly associated with dew, but also vibrant pops of purple, orange, and red in accessories and artwork. The vibrant colors are a reflection of the many flowers, trees and leaves that are touched by the dew. The patterns and textures chosen reflect the shape of the dew drop as seen through ripples and circles.” The concept utilizes design principles of unity, variety, rhythm and balance. The style of the Activity Center incorporates traditional lodge architecture with modern furnishings. Creating a fresh and inviting space will help the traditional lodge architecture with modern furnishings. Creating a fresh and inviting space will help the traditional and special needs campers feel relaxed and at ease.

Christi Spangle, Chairman of the Interior Design judging committee, said, “At first glance I knew Adriann’s project had a design that was going to be a contender. After digging deeper into the technical aspects of the projects (codes/ADA compliance, etc.), I realized that she was right on the money. We have seen many wonderful and creative designs over the past two years but this one stood out as one of the best overall.” Holly Barker is Department Head of Design Programs at Randolph Community College. About Adriann as a student, she said, “If anyone is deserving of this win it is Adriann! Her natural talent, competitive spirit, and thoughtful design are a testament to her winning this competition.”